12/21/2023 0 Comments Subvert skateSubVert is a european brand with the main purpose to support vert and bowlriding. You find most some more stuff on our FACEBOOK site! Late 2017, our webshop does not yet show all the stuff we have. Shipping is free, starting at 30€ for german destinations, europe (EU) starting at 80€, Norway and Schweiz 150 Euro)ĭon't hesitate to call us, if you have questions: (+49-40-33356297) or write an email ( lux (at) ) These days I like non-fiction psychology books and bad beach reads.Germany's best rated skateshop (before Qype got bought from yelp)! I suppose they capture that “alive” feeling that I am always hoping to create in my work. I loved how free and open his characters felt, picking up and hitchhiking, talking until the sun came up, swimming naked and eating lots of apple pie a la mode. Eyes Wide Shut, Unfaithful, Fatal Attraction, Basic Instinct.ĪN: I’d say the Beat Generation had a big impact on me when I was younger. Both made me laugh, a lot.ĪN: Lately I’ve been watching a lot of late 80’s, 90’s and early 2000’ erotic thrillers. KH: Oh, the cinema by my house is so bougie, it gives me indigestion! I saw the play Vietgone by Qui Nguyen this week at the San Diego Repertory Theatre, and I watched the movie Real Women Have Curves by Patricia Cardoso at my house last night. RL: The last thing I saw at the cinema was The Square by Ruben Östlund and The Florida Project. RSC: So what are you guys watching at the moment? But it’s funny, some men we have shown the short film seem to have the opposite feeling, they felt a little more disturbed! Was it ok to laugh!?ĪN: Of course! Seeing the opposite of what we are used to seeing can come off as absurd. RSC: I have to admit, I did laugh at how passive the male character was in the short. In my early twenties I loved Western movie heroes like Clint Eastwood and Paul Newman, they’d be wearing loose clothes, a hat and have dirt all over their face but you’d watch them and feel they were powerful, beautiful, strong. We’re trying to get away from women needing to be undressed and sexualised in the first place – the sisters aren’t a fantasy, they have a fascinating story to tell.ĪN: We decided that our characters would be completely covered from neck to toe, the way we often see men in cinema. I’d say that Petra Collins and her peers work to empower women and show diversity in a sexualised paradigm. Maybe women do wear make-up in the world that we have created, but these women don’t. KH: It was a logical emittance as these sisters live in a matriarchal world and they’re crossing the desert on foot. RSC: The no-make-up stance in the film was really refreshing, it reminded me of work by activist-artists like Petra Collins. We exclusively premiere the film below, alongside an interview with Lang, Newell and Hessen. Bound by Robert Lang’s photography and filming, the film is said to have been “born from staring at a bottle of Jameson”, $388 and a shared value of “challenging the violent myth of masculinity.” Women roam the land, enjoy a gentle relationship with plants, suck on blueberries, laugh in their solitude and sometimes, give into their “ darker, God-given tendencies”. This town certainly ain’t big enough for the patriarchy. Amidst a void of barren land and insectile flashes of nature, the story follows two sisters played by up-and-coming writer-slash-actor Anna Newell and renowned model Kat Hessen (and budding writer/director), having swapped her Yeezy campaigns and big-name catwalks (Chanel, Mui Mui, Stella Mccartney) for a Western shirt and lasso. The Iron Sisters is a modern twist on an old school western, igniting conversation by reimagining two spaces usually dominated by men our film screens and the American Frontier. Top image: Still, ‘The Iron Sisters’ dir.
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